Articles
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Jewish History, Photography, and Visual Culture
"The Elusive Search for Evidence: Evgenii Khadei's Budapest Ghetto, Images of Rape, and Soviet Holocaust Photography," Slavic Review, Critical Forum on the Afterlife of Images, 2017, no. 1.
"Is Seeing Believing: Photographs, Eyewitness Testimony, and Evidence of the Holocaust," East European Jewish Affairs 2015, no. 1, 65-78.
"Ghostly Landscapes: Soviet Liberators Photograph the Holocaust," Humanity : An International Journal of Human Rights, Humanitarianism, and Development vol. 5, no. 2, Summer 2014: 235-246.
"Picturing Grief: Where does World War II End and the Holocaust Begin," American Historical Review (February 2010).
“From Photojournalist to Memory Maker: Evgenii Khaldei and Soviet Jewish Photographers” in Harriet Murav and Gennady Estraikh, eds., Soviet Jewish Soldiers, Jewish Resistance, and Jews in the USSR during World War II (Brighton: Academic Studies Press, 2014).
“Soviet Holocaust Photography and Landscapes of Violence,” Eugene Avrutin and Harriet Murav, eds., Violence and Jewish Daily Life in the East European Borderlands (Brighton: Academic Studies Press, 2011).
“Documenting the Ambivalent Empire,” in On the Road in the Soviet Empire: Semyon Fridlyand Photographs (Denver: Myhren Gallery, 2008).
"Ghostly Landscapes: Soviet Liberators Photograph the Holocaust," Humanity : An International Journal of Human Rights, Humanitarianism, and Development vol. 5, no. 2, Summer 2014: 235-246.
"Picturing Grief: Where does World War II End and the Holocaust Begin," American Historical Review (February 2010).
“From Photojournalist to Memory Maker: Evgenii Khaldei and Soviet Jewish Photographers” in Harriet Murav and Gennady Estraikh, eds., Soviet Jewish Soldiers, Jewish Resistance, and Jews in the USSR during World War II (Brighton: Academic Studies Press, 2014).
“Soviet Holocaust Photography and Landscapes of Violence,” Eugene Avrutin and Harriet Murav, eds., Violence and Jewish Daily Life in the East European Borderlands (Brighton: Academic Studies Press, 2011).
“Documenting the Ambivalent Empire,” in On the Road in the Soviet Empire: Semyon Fridlyand Photographs (Denver: Myhren Gallery, 2008).
Semyond Fridlyand, "Jewish pig farmers" and "Beekeeping," Birobidzhan, 1934. Copyright Semyon Fridlyand Archive, University of Denver
Contemporary Russian Jewish Culture and Identity
“The Third Way: Russian Jews in the New Germany,” European Review of History, special edition, Sander Gilman and Cathy Gelbin, eds. Jews in the Age of Globalization Spring 2011
“Soviet Jewishness and Cultural Studies,” with Olga Gershenson, Journal of Jewish Identities, special edition on Russian Jewish identity, January 2011.
“Soviet Jewishness and Cultural Studies,” with Olga Gershenson, Journal of Jewish Identities, special edition on Russian Jewish identity, January 2011.